Two Canon M50s mounted side-by-side for testing FilmKit Flat That way comparing footage is more accurate because both cameras are capturing the same thing at the same time.
To test these styles, I will use two Canon M50s mounted side-by-side, each using the same exposure values and white balance. I will test three “flat” Picture Styles - FilmKit Flat, Technicolor Cinestyle, and Prolost Flat. It’s not the same as LOG, but it’s the next best thing. However, LOG can be emulated by using a “flat” picture style. But the Canon M50 is a budget consumer camera, so it doesn’t include LOG. This type of picture style in more expensive cameras is called LOG. Also, a style that compresses luminosity values towards the center of the histogram to capture more detail in dark shadows and bright highlights. One that doesn’t add saturation, contrast, or sharpness. What we need instead of Standard is a picture style without style. To use a food analogy, it’s the equivalent of trying to change the ingredients of a dish that has already been cooked. Footage can be difficult or even impossible to edit thereafter. Standard is convenient, but that convenience comes at a cost. Canon has always been recognized for its color science, so basic video out of the M50 looks pretty good for a budget, consumer camera. Standard produces a decent looking image with sufficient contrast, saturation, and sharpness. In part one I recommended using the built-in Standard picture style for general use.
Dslr picture style cinema how to#
In this article, which is part three of a four-part series, I’m going to show you how to customize Picture Styles to get more dynamic range out of the camera and make footage look better and more professional. When recording video with the Canon M50, Picture Styles inside the camera control how much color saturation, contrast, and sharpness is applied to your footage. These credits go directly towards supporting this blog and my YouTube channel. Grab your copy of CINEMA here.Some links in this post are affiliate links, so if you purchase an item through one, I may receive a small commission at no extra cost to you. The new CINEMA Picture Style was developed analyzing and replicating a film stock colorimetry, and combined with a digital look and feel of high end digital cameras. – Analog like colors on high saturated areas – Vivid colors on low saturated areas, no greyish or monochromatic cast – Keeps details on shadows and highlights while remaining quite contrasted. So the “best latitude ever” is meant for the final user who will enjoy all highlights details because this preset shifts all those details in a lower, visible range.īut the curve is made to lower the highlights and boosting the area just below making the image contrasty even if whites are not whites
Latitude won’t change with any picture style, what changes is that LCD tv’ s render everything above RGB 236 as white or anyway too bright to not consider it white.
– Best perceived latitude ever on a 5d, but with a nice contrasty image Vimeo comments have been in the positive column so far. If you like the test shots then do the research to work out if you love it enough to purchase it.
Dslr picture style cinema download#
So the EPIC CINEMA Canon Picture Style has been released and is available as a payed for download at $19.